Works

  • 2008 – “BROKERS EROI PER PER GIOCO” by Emiliano Cribari

    DGT Network – Turin. Realization of the communication plan

  • 2007 – “UN NERO SCIALLE DI RABBIA” by Gianni Martucci
    New Ariete Film – Catanzaro. Production secretary           
  • 2005 – “GUIDO CHE SFIDO’ LE BRIGATE ROSSE”
  • by Giuseppe Ferraraguido-che-sfido-le-brigate-rosse
    Pianeta Spettacolo – Rome
    Production secretary (location managing)   

    Set in Genova

    Cast: Massimo Ghini, Anna Galiena, Gianmarco Tognazzi, Elvira Giannini, Mattia Sbragia 

  • 2002 – “IL DESTINO SI CHIAMA CLOTILDE”

    Digitalia Film Production – Rome. Realization of the communication plan for the film transposition of the novel by  Giovanni   Guareschi 

VIDEO

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COMMUNICATION

  • TOURISM
    Press office and press tour organisation for italian tour operators
    Clients: Columbus/I viaggi del Ventaglio; Exotismes; Elettratour; Dolphinet
  • INDUSTRY
    Public relations and events organisation
    Client: Movicar  Genoa

CONTRIBUTIONS

  • MOVIE AND SHOW BUSINESS
    La Repubblica, Gente di Riviera, Liguria Magazine, Radio Nostalgia
  • TOURISM
    TTG Italia  (tourist magazine)
  • INDUSTRY
    Automazione Oggi  (industrial magazine)
    La Voce del Carrellista (house organ) – Editor in chief

TEACHING

  • 2009 – Dress in narrative function
    Cinema course of Technical Institute for fashion operators “Duchessa di Galliera” (Genoa) students.
  • 2008 – I generi generatori di storie
    Film classes for the secondary school  students. Scuola Media Doria-Pascoli, Genoa
  • 2006 – Dentro l’immagine
    Film classes for the secondary school teachers. Scuola Media Doria-Pascoli, Genoa
  • 2005 – Quentin Tarantino: narrazioni de-generi per un cinema ri-generato
    De-generated narrations for a re-generated movie in Quentin Tarantino. Film class at the  
    Macchina dei Sogni, Milan
  • 2005 – Trip infernali 
    Hellish trips in war movie. Film class at the Macchina dei Sogni, Milan
  • 2004 – Quentin Tarantino: istruzioni per l’uso
    Instructions for violence use in the Tarantino’s screen writing. Film class at the  Mediateca, Genoa